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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 6, 2008 | Christie's | New York | Impressionist & Modern Art Evening Sale | 21 | Estimates not disclosed | Le Pont du chemin de fer à Argenteuil | |||
Nov 28, 1988 | Christie's | London | Impressionist & Modern Paintings & Sculpture | 10 | Estimates not disclosed | Le Pont du Chemin de Fer a Argenteuil |
paintings
60 x 98.4 cm (23.62 x 38.74 in)
oil on canvas
signed 'Claude Monet' (lower left)
Jean-Baptiste Faure, Paris (acquired from the artist, June 1874);
sale, Hôtel Drouot, Paris, 29 April 1878 ; Prince de Wagram, Paris. Galerie Bernheim-Jeune et Cie., Paris ; Galerie Georges Petit, Paris ; Galerie Barbazanges, Paris ; M. Levesque, Paris (circa 1914); Meyer Goodfriend, Paris and New York;
sale, American Art Galleries, New York, 4-5 January 1923, lot 110; Thomas McLean (Eugène Cremetti), London; Alphonse Morhange, Paris (acquired from the above, 1927); Maurice Barret-Decap, Paris; Etienne Bignou, Paris (circa 1949); Arthur Tooth & Sons, Ltd., London; William A. Cargill, Carruth, Scotland;
Anon. sale, Sotheby's, London, 11 June 1963, lot 31; Paul Kantor Gallery, Beverly Hills (acquired at the above sale); Mr. and Mrs. Sydney R. Barlow, Beverly Hills (acquired from the above, 1963);
sale, Sotheby's, London, 2 April 1979, lot 6;
Private collection, Europe (acquired at the above sale);
sale, Christie's, London, 28 November 1988, lot 10;
Acquired at the above sale by the present owner.
Paris, Galerie Durand-Ruel et Cie., La 2ème exposition de peinture, April 1876, no. 152. Paris, Galerie Georges Petit, Tableaux par Besnard, Cazin, C. Monet, Sisley, Thaulow, February-March 1899, no. 44. London, New Gallery, The International Society of Sculptors, Painters and Gravers, Art Congress: Sixth Exhibition, January-February 1906, no. 190. Copenhagen, Musée Royal, Art français du XIXe siècle, May-June 1914, no. 146. Basel, Kunsthalle, Impressionisten: Monet, Pissarro, Sisley, Vorlaufer und Zeitgenossen, September-November 1949, no. 126. Paris, Galerie des Beaux-Arts, Claude Monet, June-July 1952, no. 32. Washington, D.C., The Phillips Collection, Impressionists on the Seine: A Celebration of Renoir's Luncheon of the Boating Party, September 1996-February 1997 (illustrated). London, Helly Nahmad Gallery, The New Painting: The New Vision in Modern Art (1835-1956), February-May 1998, no. 1 (illustrated in color, p. 17). Washington, D.C., National Gallery of Art and Hartford, Wadsworth Atheneum Museum of Art, The Impressionists at Argenteuil, May-December 2000, no. 26 (illustrated in color, pp. 110-111). Hiroshima Prefectural Art Museum and The Bunkamura Museum of Art, Monet and Renoir: Two Great Impressionist Trends, November 2003-May 2004, no. 2, p. 149 (illustrated in color, pp. 22-23).
E. Porcheron, "Promenades d'un flânneur: Les Impressionnistes," in Le Soleil, 4 April 1876, pp. 2-3. Le Curieux, "Notes diverses," in La Renaissance, March 1923, p. 162 (illustrated, p. 161). G. Geoffroy, Claude Monet, sa vie, son temps, son oeuvre, Paris, 1922, p. 71. M. Liebermann, "Claude Monet," in Kunst und Künstler, vol. 25, February, 1927, p. 169 (illustrated). O. Reuterswärd, Monet, Stockholm, 1948, p. 232. J. Rewald, Le Post Impressionnisme de van Gogh à Gauguin, Paris, 1961, p. 353 (illustrated). L. Reidemeister, Auf den Spuren der Maler der Ile de France, Berlin, 1963, p. 104 (illustrated). D. Wildenstein, Claude Monet, Biographie et catalogue raisonné, Lausanne, 1974, vol. I, no. 279, p. 232 (illustrated, p. 233). P.H. Tucker, Monet at Argenteuil, New Haven and London, 1982, pp. 70-76 (illustrated in color, p. 65, pl. XIII). R. Gordon and A. Forge, Monet, New York, 1983, p. 290, (illustrated, p. 57). T.J. Clark, The Painting of Modern Life: Paris in the Art of Manet and his Followers, New York, 1984, p. 190 (illustrated in color, pl. XVII). J. House, Claude Monet: Painter of Light, exh. cat., Auckland City Art Gallery, 1985, p. 48 (illustrated). The New Painting, Impressionism: 1874-1886, exh. cat., Fine Arts Museums of San Francisco and Washington, National Gallery of Art, 1986, pp. 157 and 163. Claude Monet (1840-1926), exh. cat., Madrid, Museo Espanol de Arte Contemporáneo, April-June 1986, p. 47 (illustrated). R.L. Herbert, Impressionism: Art, Leisure and Parisian Society, New Haven and London, 1988, pp. 220-226 (illustrated in color, p. 222). M. Alphant, Claude Monet, une vie dans le paysage, Paris, 1993, pp. 233 and 235 (illustrated). P.H. Tucker, Claude Monet: Life and Art, New Haven and London, 1995, p. 71 (illustrated in color, p. 72). B.E. White, Impressionists Side by Side: Their Friendships, Rivalries and Artistic Exchanges, New York, 1996, p. 98 (illustrated in color). D. Wildenstein, Monet, Catalogue raisonné, Cologne, 1996, vol. II, p. 119, no. 279 (illustrated in color). J. House, "Monet: The Last Impressionist?" in P.H. Tucker, ed., Monet in the 20th Century, exh. cat., Museum of Fine Arts, Boston, 1998, p. 2 (illustrated in color). A. Callen, The Art of Impressionism: Painting technique & the Making of Modernity, New Haven and London, 2000, p. 41 (illustrated in color, p. 42). C. Homburg, Vincent van Gogh and the Painters sof the Petit Boulevard, exh. cat, Saint Louis Art Museum and Frankfurt, Städelsches Kunstinstitut und Städtisches Galerie, 2001, p. 164 (illustrated in color, p. 165). P.H. Tucker, "Monet and the Bourgeois Dream: Argenteuil and the Modern Landscape," in Modernism and Modernity, Halifax, 2004, pp. 21-41 (illustrated, p. 29; illustrated again in color on the cover). J. House, Impressionism: Paint and Politics, New Haven and London, 2004, p. 97 (illustrated in color). M.T. Lewis, ed., Critical Readings in Impressionism & Post-Impressionism, Los Angeles, 2007, p. 129 (illustrated).
